ZINAH

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I believe that it is very important to give back to the world, through actions, charitable work and donations. Whether it is the local community or places abroad, giving is good for the world and soul.

The foundation isn't a separate thing but just to give back through the current work I am doing. I'm hoping to organise gatherings, talks and few other things.

During my previous job as a fashion editor, I have accumulated a lot of clothes for photo shoots and work I have done. My wardrobe is full and I would prefer not to keep all of it for myself (besides, I have most of it myself and duplicates of each item is just completely shameful!)

So I list items on (almost) daily bases on my depopmarket and big cartel account. So check it out and stay tuned, because all of it is a bargain and 20% goes to a supported charity inshAllah.

As for the pictures below, all items are on sale!

As for events, talks etc. I will keep you all posted when I'm planning one inshAllah.






(Photography by Ty Faruki & Zinah)

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I love a bit of sparkle. I think it adds a touch of glamour to any outfit. Most of the time, my accessories are sparkly, whether it's my necklace, clutch or even shoes. But why not scarf?
And instead of pinning brooches ony scarf, I thought of actually intertwining it in the designs I make. 


I of course am very particular about the crystals I use on the scarves I make, and because it's a luxury scarf label, the crystals have to be luxurious. What comes to mind? Swarovski of course! 
I've been an admirer of the Swarovski brand for a long time. The crystals aren't actual jewels, but they're made of glass, which gives a spectacular shine. From the sew-on stones to the glue on ones, I've used the most suitable ones to create the signature scarves.

For the Queensway scarf, I've used crystal clear stones and they're all hand sewn individually. As previously explained, the price point of the scarf naturally comes from the materials it's made of, the location and time put into making them. Not to mention, each scarf comes in very limited pieces and not recreated for any other season. The fact that they're all hand made in London by myself and my tailor, puts the extra love, care and attention to each scarf. 



I hope you've enjoyed learning the fundamentals of the brand and its products so far! There's yet more to come but for now, the importance of the brand, the location and material have been covered to its basic. Keep an eye out, there are more exciting things to come! 






(Photography by Zinah)

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I'm so particular when it comes to materials, with the products I make and even the clothes I buy.
It's so important for me to feel a 'nice' material on my skin. I'm not a fan of synthetics and quiet frankly they should NEVER be overpriced. £60+ for a synthetic maxi skirt? No thank you. We all know how much polyester costs, right? Let's not forget to include production, location and labour. That all makes up the price of a product. 

One thing I believe that makes my brand stand out (besides having a strong sense of brand image) is the use of fine and natural materials. All the scarves I make are from natural fibres from silk all the way to wool. 


I always had this unnatural obsession with silk from my early teenage years. I love how the fibre can be transformed into any fabric, from shiny satin to matte twill; it all simply depends on the weaving technique. 

As much as I love silk, I'm no connoisseur, but I am developing my knowledge of natural fibres and fabrics. I do select each fabric myself, and as challenging as the process may be, the end result is always so rewarding. With the many options of materials these days, it's important for the fabrics I select to reflect the designs I make. 

Natural fabrics are also luxurious and for a luxury scarf brand, how important do you think that is? If I would have to use synthetic materials, then perhaps for the young aspiring clients who would like scarves at entry price level? Something I'm thinking about most definitely. 


All the materials are hand selected and purchased in London. Everything is also made in London, nowhere else, as I believe that the authenticity of a product is very important to my brand. 
I also believe that clients should know where their products are made and come from. 

Natural fabrics are naturally expensive, they are harder to manufacture and the process is longer than synthetic fabrics. So the prices of each scarf is obviously reflective of the material cost, the location of the sources (everything is made in London and London is one of the most expensive cities in the world), not to mention they are all hand made with love and care. I'm obviously pricing it all ethical, authentic and genuine, nothing is left to randomness or coincidence. 


I hope you now have a better understanding of the materials I use, why I use them and the pricing of them. I will talk further about the materials and crystal choices. 



(Photography by Zinah, Ty Faruki & Zak)

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It's such a magnificent city, almost indescribable. The only way to get to know London would be to fully live in the city. Not as a tourist, or a business trip or even a weekend getaway. Few days in London is never enough to give this huge city any justice of what it truly could be to one. 

"London is whatever you want it to be" - Christopher Winn
This quote perfectly sums up what London is. If you want it to be beautiful, peaceful and organic; all you have to do is find the right places and people within London. When the big city becomes overwhelming, there are villages where you can rest your head for few hours. There are endless possibilities. Open to all kind of people, communities, races and religions. 


I am very fortunate to be living in London for over 10 years and to call it my home. What better place to start up a brand than London? The land of opportunities and dreams, a place where no dream is too little or too big. I'm so very glad and grateful to have had the opportunity to base my brand in London and in Britain. As a British fashion house, I yearn to express the British culture and diversity as a wealth and a source of inspiration, particularly London. The city is so full of inspiration and wonder.


Perhaps it came to your attention that the scarves I've designed and made are named after London locations. Do they have any significant you wonder? Yes they do.

Each signature scarf is named after significant locations; both to London and myself. Five signature scarves, five locations; Queensway, King’s Cross, Hampstead, Kensington and Victoria. Three of the locations are where I used to reside (now based in Hampstead), Victoria being my first ever work location, being only 17 and discovering such a magnificent city, while Queensway was both a work and leisure area for me. 

Of course fate has it that all these locations are connected to royalty and perfectly fit the brand name and image; the logo being a Z with a crown, to reflect my nickname ‘Zinah the warrior princess’ and to symbolise luxury in the products I offer. 


Here's an insider info: every season, a signature scarf will be the main piece of the season and four other scarves are designed around that scarf and named after roads within that location. For Autumn/Winter 14, Hampstead was the signature piece and the other four scarves were Golden Yard, Willow Road, Keat’s Grove and Fitzjohn’s Avenue all road names within the Hampstead area.

For Spring/Summer 15 the main scarf is Queensway and the other four are called after roads within the Queensway area: Princess Court, Palace Avenue, Bayswater Road and Caroline Place. 


I could forever and a day talk about London, the things I absolutely love and adore about it and the things that get on my last nerves! The ups and downs, the beautiful and ugly and so much more. Perhaps I can start video series about London? Perhaps I'm just over my head!

I highly recommend this city to anyone, to explore on their own and make it their own. 
I won't go into details on this post, as it may just end up being the longest blog post I've ever done.

I have, however, previously written about London during my time as a columnist for Aquila Style. 
You can read part one and two: here and here. 



(Photography by Zinah)

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