ZINAH

  • Home
  • About us
  • Drop Down
    • Minimal
    • Sub Menu with Subs
      • Feminist
      • Persona
      • Expose
    • Powergame
    • Fashion
  • Restaurant
  • Mega menu
  • Download



A Two Sense Podcast *Special* : “And We Made You in Pairs” ; Marriage in the Muslim Community

Had the pleasure to be part of the Amaliah podcast. Check it out below and the link here.



Word by Amaliah - Thank you to everyone who helped make this episode possible, including; Raifa, Saima, Ayo, Mohammed, Deryn, Lukman, Zinah, Faima, Ruqaiya, Nuriddeen and Faatimah. We pray you all benefit from something in here…
0
Share
Mini Travel Series: Paris is always a good idea 

The city of love and romance, or so they say. Less than 3 hours away from London and the perfect getaway. A city full of oxymoron, beautiful and enchanting all while murky and snooty. A peculiar setting that is both easily to fall in and out of love of. 



Before visiting Paris, I vicariously experienced Paris through Christian Dior, the film Midnight in Paris and through Carrie Bradshaw’s stay in Paris. It was magical and charming, with a magnificent architectural backdrop in every scene of these videos. Though admittedly Carrie Bradshaw’s depiction and interpretation of Paris was the most realistic one I have experienced; minus the extravagant shopping, the falling inside Dior’s Avenue Montaigne and the luxurious hotel room, though I have fallen similarly to Carrie…inside Chanel’s Maison in New Bond Street, London. But that story is for another day. 



Carrie fantasized about the city for so long, heard the tales of its romance, the fashion and art complimented through Gothic style & Art Nouveau architecture and interior. She succeeded in manifesting that vision of Paris and experience it, however her bubble was erupted by the reality of language barriers, impatient (at times unfriendly) locals and stepping into dog poop. Causing her to feel isolated and bored whilst simultaneously going through homesickness. But then, Carrie moved to Paris to live in Paris, so my experience was certainly not parallel to hers, only a short-lived version. With that that said, I have visited the city five times already and sometimes long to visit it again for a short getaway; emphasis on the word short. I will not taint your picture of Paris, but I will not offer you a grandiose and unrealistic portrayal of the city either. Nor am I going to offer locations, destinations or city tips; there are far too many online and in print. But I hope to just inspire you a little to visit Paris. I believe that travelling should be allowing ourselves to naturally immerse in what the city has to offer; authentically and organically. 



I have to admit that though most tourist visit the obvious destination, in Paris, I can never get enough of these 3 locations: Eiffel Tower, Louvre and Avenue Montaigne. Every single trip to Paris includes these 3 locations, they never fail to amaze me. Though I’ve seen the Eiffel Tower five times, I have had not the courage to go up (fear of heights and fear of waiting in long queues, it’s complicated). But I would encourage you to, she’s a beauty. I still get giddy when I see her shimmering hourly from sunset to 1am (2am during summer). She’s the most beautiful before midnight, where most of the city is fast asleep, you can feel the serenity of the silence, some wandering tourists waiting for the clock to strike midnight standing by Trocadero whilst few small wagons sell refreshments according to season. The Eiffel Tower puts on a show for 5 minutes, captivating her spectators, once that is done, walking down to see her up-close ends the night beautifully. That’s reliving a scene in the film ‘Midnight in Paris’, imagining the presence of the great artists such as Picasso, Ernest Hemingway and Salvador Dali. In my vision, Christian Dior is included (still wandering why he wasn’t included in the film when he was already friends with those artists…?)



There are numerous art galleries and museums that I really appreciate in Paris; roughly 130 across the city and I sadly only visited four of them. However, my favorite remains to be the Louvre at night. Friday night’s opening hours until 9pm, avoiding the crowed and enjoying the peace and art the museum has to offer. I once had the Mona Lisa all to myself, was able to see her up close (as close as it gets) and realise that she is quite overrated in comparison to the magnificent paintings just on the hallway next door…I have a background music in my head whilst roaming around the rooms inside the Louvre; Sympathique by Pink Martini. I’d add Musée Yves Saint Laurent Paris to one of the museums to visit. It celebrates the creations of the designer in an intimate setting without the distractions of anything else that isn’t YSL. It feels more of a home than a museum, which makes visitors feel like they are visiting the designer’s home.  



In terms of eating and drinking, there is a variety of French cuisine across the city, mostly hidden away from main highstreets. You do not want to eat out around touristic destinations, as most restaurants are overpriced, chains and generic tasting dishes. I personally loved Bistrot Victoires, District Corner, Dépôt Légal and the café Bert’s. There are many more of course, but these ones made my heart feel warm. 




When visiting Paris, most people go wearing rose tinted sunglasses; not quite literally. It’s love at first sight with what we see; Parisian class. The love many have with Paris is an infatuation, adventurous and short lived one. Travelling is like flirting with life, as said by Lisa St Aubin de Teran “I would stay and love you, but I have to go”. I myself feel in trance with the city’s charm, delicious pastries, pretty little streets and enchanting corner restaurants/cafes. However, here’s a gentle reminder that we tourist don’t live the truth of the locals, nor does our ways of experiencing the city reflect the locals’ ways of living. I’m an optimist, full of love, life and hope but a down to earth realist that acknowledges my privileges. My love affair with Paris lasts two days and then I miss home; London.  As for Parisian fashion, I need to leave that for another day. 

(First photograph by Rongji Sun, all other photography by Zinah Nur Sharif)


0
Share
Mini Travel Series

A second nature of mine is to explore new places, cities and even subjects. A curious being with an enormous interest in everything life has to offer. Whether it is for holidays, city getaways or actually moving to new countries, I’ve been travelling for as long as I can remember. 



When I was younger, I didn’t have to worry about packing, organising or even think about where and when I was going. I’d mostly fall asleep during the car and plane journeys. It was like a form of teleportation. I have nothing but fond memories of those days. I wouldn’t necessarily soak in my environment or surroundings, didn’t have much clue about culture and everything was so outlandish to me. To be honest, I felt a little startled as a child to have not being able to settle and travel across the Middle East and South Europe. I didn’t understand the concept of holiday or travelling, I’d just go along. I mean, I knew as much the country I was going to...city? Not too familiar at the age of 7-9! But I loved it nevertheless. It was a peculiar sensation.  



During my late teens and early twenties, I still loved travelling, but I dreaded the journeys to the airport or on the plane. I’d feel restless, the sound of the engine was deafening and sitting for more than 30mins made me feel even more impatient. But I love travelling...so I had to find a way to enjoy myself during the journeys to and from my destinations. I came up with a pretty easy solution; treat the plane like my living room. What does one normally do in their living room? Watch a movie, read a book, enjoy a warm drink, get some work done, converse with people or take a nap. And this is exactly what I would do, depending on the duration of the flight and the time of the flight. That means planning and packing accordingly to the whole journey, not just destination. It can also the perfect ‘me’ time to have, spend those hours alone in the midst of a crowed. 




I am constantly excited about travelling, regardless of where I am going. It reminds me how small I am in this world full of wonders. I love everything about travelling, the adventurous, the company I travel with, the outfits I wear, the landmarks and sights, the food and mostly the little pleasures of every city have to offer. I take photographs of anything that catches my eyes. You can only imagine, there’s over 20,000 photographs I have taken in the past 5 years alone…Now with 39 countries and 61 cities with various forms of transportation in my book, I feel like a travel expert. With this, I would love to share some of my adventures with you, from planning to travel destinations. I will of course keep it fashionably short, sweet with plenty of imageries. Are you excited for this as I am? I hope so! 


(First photograph by Rongji Sun, all other photography by Zinah Nur Sharif)

0
Share



For iNews.co.uk

Asos joins the fashion retailers selling 'modest' clothes with the launch of its Verona collection

Modest clothing is designed for women who want less skin-revealing clothes, most commonly for spiritual reasons

When it launched in 2000, the fashion site Asos offered items that were inspired by celebrities – As Seen on Screen was its original branding. Almost 20 years on, it stocks more than 800 brands and sells accessories, activewear, co-ords, coats and jackets, dresses, hoodies and sweatshirts, jeans, shoes – and the list goes on.
It remains a major player in online fashion, despite newer rivals such as Boohoo coming for its crown by offering cut-price trends aimed at women (and men) in their teens and twenties.
If a trend in womenswear is happening, chances are it’s something Asos is already selling, or is planning to. So when it announced a new category this week – modest clothing – with both own-brand designs and those created by US label Verona Collection, it’s a sure sign that Asos knows it can turn a profit.

Showing less skin

Modest clothing is designed for women who want less skin-revealing clothes, most commonly for spiritual reasons. It’s worth noting that while one does not have to be of any religious practice to wear modest clothing, it’s generally used for a niche group of women within certain cultures and religions, predominantly women of the Islamic faith.

Verona Collection’s founders, Lisa Vogl and Alaa Ammuss, are Muslim and started their business after struggling to find modest fashion at an affordable price in America. The label launched in the US in 2015 and as of last year is stocked in Macy’s department stores. Now, with the robust distribution and customer reach of Asos, the business is expanding on a global scale.

More mainstream than you might realise

In the press release announcing the Asos launch, there was a rather bold claim: “Pioneers within the fashion industry, Verona Collection caters for a market that has previously been overlooked within mainstream society.” The idea that modest fashion is not commonly recognised within the British fashion industry isn't necessarily the case – the UK was one of the first Western markets to embrace the sector. Brands such as Aab UK, selling through Debenhams since 2017, and Maysaa have been catering to the British modest fashion market since early 2010.
Major brands have already started designing specific collections for that demographic, from Uniqlo’s collaboration with Hana Tajima to Nike’s Pro Hijab collection. And mainstream retailers have always created modest fashion pieces, albeit they haven’t been labelled as such.

Diversity, inclusion - and potential profit

The right marketing, branding and labelling is what makes certain brands stand out over others. It’s not necessarily pioneering anything new, it’s labelling it as such to encourage diversity and inclusion.
And this is what Verona Collection is doing right. As of 2018 the division “modest fashion” has been considered to be a $250bn (£19bn) global industry, and with Asos shares falling by 38 per cent in December 2018, it comes to no surprise that it needs brands such as Verona to target a “new” demographic with such spending power.
0
Share

It's not everyday I get an award nomination, especially such a prestigious nomination; The National Press Award; The Georgina Henry Prize for Innovation. I am not even a journalist, but have always been writing about Muslim women since the inception of this blog. I've also been always writing about women during my A-levels, from Media Studies to Psychology and even Fine Art!

I felt privileged to have been nominated, the least to say. To be in a room full of renowned writers, journalists and editors. I'm not exactly an avid reader of newspapers (with the exception of The New York Times, The Times and The Guardian), but my role entails checking newspapers daily. Not to read the news, just to monitor press coverages and send through to clients haha

In case you are wondering, I am wearing Burberry headscarf, Roland Mouret dress and Zara earrings & heels.



Anyhow, I of course did not win, I didn't expect to be nominated from the first place. I have however, met the lovely women who won the award; Laura Garcia and Olivia Crellin from PressPad. Truly inspiring and a well deserved award! 


It's been an honour and privilege and an unforgettable evening, supported by my loved ones and friends. Sam, who's always been my number one cheerleader and Cesar (who couldn't attend due to prior work travel arrangements). You can find images of the event on here, along with all the nominations and event highlights.



(Photography by Sam and The National Press Awards Photographer)


0
Share
Dress for between Seasons

It’s the time of the year where we switch our wardrobe from winter clothing to spring/summer! It’s quite an exciting time to see the sun beam again, the trees blossom and the weather getting a little warmer. Though admittedly in London we are still in a transition of season & weather. We haven’t fully put away the winter coats or knitwear...yet! 

Nevertheless, that doesn’t stop us from decluttering and switching our seasonal clothing’s! We are optimists and like to dress warmer before the warm weather even arrives! It’s not an easy task, as you can imagine temperature in the UK can be quite unpredictable. This week it supposedly should be 17 degrees! Wonderful! Getting carried away talking about the weather is a very British thing, so let us dial back to some tips for trans-seasonal dressing. 

Let’s start with swapping seasonal clothing from our wardrobe. We haven’t fully embraced warm weather yet, so we can’t put everything away. But we can remove anything that’s too warm, bulky and very much the definition of winter clothing. That’s mainly referring to heavy winter coats. However, certain warm knitwear can be worn on their own during this time of the year, perhaps with a t-shirt underneath or a thin thermal. Footwear is fairly debatable, I personally have cold feet all the time (feet of an 80 year old man) so I can get away with wearing loafers, ballerinas and such without socks. Since my feet are already cold, the cold weather has nothing on them. At this stage, my boots are already in hiding. However, you may still need yours until the heatwave hits us again. Let’s carry on with some hopefully useful trans-seasonal dressing tips. 

After 15 years in London, you’d think one would be an expert in dressing for the English weather, but the unfortunate truth is that we just wing it and play it by ear. The trick is to wear enough layers in order to peel them away when it gets warmer or keep them on when it gets colder. Of course, you don’t want to waddle around wearing several layers. What usually works is wearing a thin knitwear over a blouse or t-shirt and paired with a light winter coat for those days when you leave the house at the crack of dawn and arrive home when the sun has long set. This kind of outfit works perfectly if you’re on the move and not stationed in one place. 

If you’re work requires you to be in an office all day, you’d want to wear an outfit that’s warm outdoors and cool indoors. No magic trick required, only two simple layers of a top + coat and voila (yes of course you’d wear bottoms too, we’d like to think that’s a given!). Or a dress and a coat, but you get the idea that its two layers only. The coat only serves the purpose of keeping you warm for the walking distance you need to take to your workplace. 

One thing that works really well is wearing a heavy knitted scarf (whether that may be cashemere, wool or synthetic is down to you) and wrap that around yourself for warmth. We usually use this trick on flights from London to any place in the world that is warmer than London (we are thinking south). That way, you don’t have the burden of carrying around a coat when it gets warm, you simply let the scarf hang around your handbag or inside your handbag. 

Of course, there are various creative ways to dress for unpredictable weather, you can even put on a fashion show, be our guest. We are merely thinking of practicality combined with style and personality.  

(Photography by Rongji Sun, Edited by Zinah Nur Sharif)


0
Share

Work & Life balance

Maintaining a healthy lifestyle with a busy schedule can be quite demanding. Depending on the work we do, style & fashion might be not be the first thing in our minds. 

Admittedly, some of my previous work required me to wear uniform; designer uniform mind you. Which meant, I never had to spend time thinking about what to wear, how to wear it and when to wear it. Even my make-up was a uniform requirement. It was an oxymoron of liberation and restriction. On the one hand, I enjoyed the extra sleep, the carefree of showing up to work and changing there, the routine “outfit” and make up. My sole focus was that my make-up was nicely done. However, on the other hand, I missed the ability to freely choose what to wear, utilising my wardrobe and even dressing comfortably. 

Now that my work changed all together, where I’m required to actually think about what to wear, I see the flip side of it all. I tend to focus more on what I wear over whether I’ll do my make up or not. In fact, so far, I have not bothered with make-up. That’s when it crossed my mind, style is more of an essence and when the clothes fit you perfectly, compliment your body and feel comfortable on, then make-up becomes an added bonus rather than necessary. 

Realistically speaking, most of us work than the usual 37,5 hours a week, the last thing we want to do is grabble through our wardrobes and waste time deciding what to wear. Dressing up and style should be a skill that comes to one effortlessly. Of course, FashionMoodz is the perfect brand to help you master these skills. Learn about your figure, what fits and what you should stay away from, colours that work in harmony with your complexion and a lot more. 

I promise to explore more of these aspects very soon. As you may have figured, this article is more of a personal confession of how I am trying to master my style and time. Also explains my absence as I am building more quality content for you all. We don’t want this online magazine to be an ordinary fashion platform. After all, the people dedicated to running it are extraordinary, and that certainly isn’t me blowing any of my own trumpets.


So how about I leave it at that and allow you to interact with us about your personal interests? Speak soon! 
0
Share

Modesty & Elegance 

You may have come across the terminology ‘modesty’ or ‘modest fashion’. You probably have seen glimpses of articles mentioning the new boom of modest fashion. However, you may not have paid too much attention to it, as it’s generally used for a niche group of women within certain cultures and religions. This is where the origins and importance of modesty gets diluted; tying it to a specific group of people only. Though the word modesty can be used in different context, let’s look at it from a fashion’s perspective. 

The general term modest fashion indicates to a style where women wear less skin-revealing clothes, most commonly for spiritual reasons due to aesthetic requirements from religion or even personal preferences. Arguably, one does not have to be of any religious practice to wear modest clothing. In fact, it is not a limiting factor in style. What it comes down to is the styling of individual fashion pieces that are then turned into modest fashion. More so, many brands are blending collections and designs that are considerably modest in style. What’s astounding is that brands always created modest fashion pieces, but it’s not ordinarily labelled as such. Anyone from Zara, COS to Valentino have individual pieces that are full length skirts, long sleeved maxi dresses, palazzo trousers and long-sleeved blouses. Essentially modest fashion is a style open for interpretation depending on socio-culture, individual preferences and experimentation with the newest trends. However, as of 2018 the division ‘modest fashion’ has been considered to be a $250 billion industry. Within the luxury fashion sector, it is vastly the UK and the Middle East Gulf region. A boom since the mid 2000s where brands have designed specific collections for that demographic. Modest fashion is assimilated with elegance more so than what anyone else claims. Modesty is the new elegance. 

It can also be noted that there are more female designers behind practical, modest and elegant clothing. Look at Stella McCartney or the old Celine by Pheobe Philo, even Maria Grazia Chiuri’s Dior celebrates a form of elegant modest fashion pieces. Women all over the world are embracing this style as a form of defiance to patriarchy and showcase their preferred way of dressing. Revealing less is a form of grace, sexy and an attitude solely owned by individual women. Long coats, culottes trousers, mid/kitten heels, loose knitwear and simple sophistication are seen on the streets and runway. Bloggers and influencers are incorporating modest fashion seamlessly into their style, without the labelling it so. But credit needs to be given, where credit is due, Muslim bloggers and influencers have been the forefront of modest fashion and set the trend when fashion claimed that there is no space for such styles. The most notable ones are Hana Tajima, Ascia, Dalal, Dina Torkia and many many more. Numerous magazines and news outlets covered and still write about modest fashion, linking it majorly to Muslim women.   


There are no easy ways to expressing the complexities of modesty, granting the enormity of the topic. It can be both unyielding and ambiguous, taking various religious, cultural and social rationalisations into considerations. Besides those aspects of modesty, there are more entities that contribute to how a group of people or even individuals perceive modesty. Sociology, philosophy, psychology and religion just being one of the many entities contributing to what modesty is. Modesty is a lifelong pursuit that requires constant revaluation and redefinition. We hope that this article contributed to adding a viewpoint to what modest fashion is and has enlightened you to explore more.  
0
Share

Symbolism of the Handbag

Fashion is a form of expressing ones’ individual identity through the means of aesthetics; it’s not essentially about utility. Arguably, it wasn’t about utility until recently, where pockets can not only be seen in ready-to-wear dresses but also couture gowns (thank you Raf Simmons). However, before form, function and practicality aligned with fashion, handbags served those purposes since their inception. An early modern origin of handbags came from the 17th century as purses and coin purses, which then evolved into handbags. But we aren’t here to give you a historical lesson about fashion’s favourite accessory products, we would simply like to briefly explore the handbag as a symbolic gesture. 



Let’s agree on the fact that handbags now come in endless shapes, sizes, styles and functions. Most are practical, some are pretty, and others are iconographic to a brand. There are boundless handbags. Although it’s sensible to go for handbags that compliment your style and express your individuality. Style is very personal, fashion isn’t. How you dress is a depiction of your character, your lifestyle, your aspirations and even your personality. The handbag acts as a support to one’s personal style and needs. Naturally, the functionality and size carry more priority to most people, but the style, design and even price tag define your taste and economic prosperity. 

During the early feminists’ movement, handbags symbolised independence and status; women carried their own wallet with their own bank cards, car & house keys and work-related materials. The handbag embodied progression in gender equality. From independence to economic prosperity, women showcased their expensive taste and lifestyle through the investment of designer handbags. Every super brand has its own iconic handbag; Lady Dior, Chanel 2.55, Louis Vuitton Capucine and Hermes Birkin; and every woman wanting to display success would have one. The Birkin remains to be the icing on the cake when it comes to signifying career success, but more so financial success. If you’ve watched Sex and The City TV series, then you may remember Samantha Jones eagerly cutting corners to get her hands on a Birkin, during the early stages of her career in PR. In the films of Sex and The City, Miss Jones already owns numerous Birkin handbags, epitomising her career & financial successes. 



Lately, however, handbags are made smaller in size. Social allegory of the handbag size changed into smaller handbags equating to more success and wealth. Meaning, women can afford personal assistance to carry their work load, so there’s no need to carry large handbags. They only need their phone, cardholder and perhaps cosmetics for touch up. Anyone with a large handbag was briefly seen as aspiring, working their way up and still carrying their own stuff. The symbolism of the handbag is ever changing, not only with time but also with different cultures and societies. However, society dictates trends but doesn’t set them. The handbag is a utilitarian piece that still celebrates individuality, independence and personal identity. Our advice; go for the handbag you love and express your identity.     

All Photography by Zinah Nur Sharif



    
0
Share

Dior: Designer of Dreams 

If you have missed the Dior exhibition in Paris in 2017-18, then here’s a chance for you to explore the newest (but a lot smaller) exhibition at the Victoria and Albert Museum; Dior: Designer of Dreams. The exhibition encapsulates the history of the brand and explores the impact it had as one of the most significant couturiers in the 20th century to the present day. It is no coincidence that it’s held in London, as the exhibition also captures the relationship Dior had with Britain. 



The floor plan is set out to guide you through the journey of Christian Dior, both the designer and the brand. The initial rooms capture the work of Monsieur Dior but the following rooms are not set to segregate the former creative directors, but to intertwine their work that has been inspired by Christian Dior and capture reoccurring themes; the garden, flowers, travel and the ball. Despite seven decades with seven different visionaries, the dresses carry the essence of the brand’s DNA and the preliminary vision of the founder. Though arguably three of the former creative directors have a stronger manifestation of their own distinctive creativity than the rest. Yves Saint Laurent who introduced a new silhouette to the brand, John Galliano who brought avant-garde and his own theatrical vision and lastly Raf Simons who carved a way to modernity and minimalism into the brands DNA. 




In one of the many rooms, each creative director has been given their own space within the exhibition to showcase highlights of the dresses they have created and the vision they have presented to the House of Dior. We might be biased, but we’re always in wonderment to what Raf Simons has introduced to Dior, thinking of the modern women in the form of function, practicality, minimalism and elegance. His work modernised the House of Dior without diluting the house codes, but admittedly it must have been a challenge to follow the creative footsteps of John Galliano. The man who enchanted its audience with melodramatic couture pieces and shows. Maria Grazia Chiuri on the other side brought a contemporary feminine touch to a brand that has always been in the hands of men. 




The exhibition design is well structured with a layout that is easy to follow. The toile room emulates an eerie of heavenly light; presenting toile dresses that are finished to the core in details. Each piece in itself brings the structure and form of a design to life with the simplest use of the cotton fabric. A celebration of the seamstresses works for being able to translate a designer’s vision before the finished product. This room is quite state-of-the-art in the form of exhibition design and undoubtedly innovative. The flower room is transformative, romantic and So Dior. The final room makes the audience starry-eyed, entrancing them into a star-showered ball room. The title of the exhibition is truly translated into each space and emits the house codes of Dior. 

We highly recommend you visit it if you have the opportunity to do so, open until July 14th 2019, Dior never fails to captivate its audience. Please note that the images are intentionally mixed, for us not to give away the room orders. 

(All Photography by Zinah Nur Sharif) 


0
Share
2014 was my first time travelling without parents, prior to that all my travels was with my parents; any country or destination.
As I was starting up my business, I thought visiting Kuwait would be a good idea…both to explore the country & venture my business. I went during Ramadan in late July 2014 with my brother. It wasn’t exactly the best idea to get to know the country, as many spent the summer abroad or in their homes (due to the immense heat and the holy month). However Kuwait marked a way forward for me to travel more often.
Though I have been sharing my travel journey on my instagram page @thezirkus, it was just in pictures and not writing. My new challenge is to share my travel journeys and what each destination had to offer until I’m up to date…just a heads up, that is going to be 34 different cities between 2014-2018.
Photography and Words | Zinah Nur Sharif

0
Share
For Amaliah.com 

Conscious Consumption: I Shop, Therefore I Am

The number of people within the Muslim communities loving fashion has visibly increased over the past decade. Modesty fashion is an ongoing movement that has been picked up online in the late 2008s. More young girls and women are using fashion as a means to demonstrate their Muslim identity. It’s something celebratory, having the freedom to express oneself through the means of fashion. What is concerning, however, is the increase of compulsive consumption.   
Loving fashion somehow comes with the automated denotation of shopping. More particularly, accessible fashion. This, of course, should not be the case, fashion is not synonyms of shopping. But fashion can be both style and trend; one emboldens consumption while the other acclaims to be timeless. It’s between prioritising quality or quantity and mindfulness or senselessness. What is perceptible is that more people are driven by trend and seem to reinvent their style through it, without consciously knowing the effects of consumptive buying has on our planet and fellow human beings. The unfortunate truth is that fashion is aiming to be infinite, but our planet and the people making our garments aren’t. 

Let’s briefly look at the supply chain of fast fashion (or fashion in general), organisations start with sourcing the raw materials, not many are done so ethically or in a sustainable manner. The next step is usually finding the cheapest labour possible, setting aside basic regulations such as health & safety, labour hours, well-being or any form of the union protecting the rights of garment makers. Then it’s usually overproducing products (according to recent statistics, Inditex group produces 7 billion products consumed only by 1 billion of the world’s population)…we know what happens to the products that are not purchased? Landfills full of products that are toxic and harmful to its neighbouring citizens. These end up being in far Asian countries in remote villages, many of us unaware of their existences.



The gap and distance between the initial production steps and the final products are so vast, that majority of people don’t have an oversight of what is happening (that is also true to the agriculture and meat industry). However, with the digital world and more active organisations exposing and sharing every step of the industry, we really have no excuse to oblivion. But then, the question of finance comes into place, the intention of high street fashion was to make fashion accessible to everyone, regardless of social class and income. One should be able to buy a stylish pair of shoes at £20 instead of breaking the bank at an artesian shoemaker. However, how many pair of those £20 shoes does one need? Is it worth the suffering of the planet and others for one to have that pair of shoes? Has anyone watched ‘The True Cost’ and saw the scene where a garment maker is begging the audience to stop buying products made out of their blood, tears and sufferings? Garment workers in Bangladesh, Cambodia and India have no choice of quitting the job if the work hours exceed 20, or the work environment causes them potential terminal illnesses (or even death, as the events of Rana Plaza showed) or have the privilege to find another job. Working there is survival, to feed oneself and take care of a family. It’s not the kind of poverty where being on government benefit is a back-up plan. 


We as a Muslim community really have to build a conscious of everything we consume, the effect it had or has on the planet and our fellow human beings (and animals!). Thanks to organisations such as Eco Age and Fashion Revolution, big corporates are being held more responsible and regulations are being put into places to protect everyone involved in the industry, especially the garment workers. We encourage you to read and expand your knowledge on them. It allows everyone to make the right decisions of where to purchase and how often. Priorities quality over quantity, identify your personal style and stick with it. Invest in pieces that are ethical (perhaps more expensive) but have longevity. It certainly isn’t an easy task, but it’s something to be conscious of. Wearing clothes for modesty is a necessity, fashion is a luxury (yes all fashion, even those ‘trendy’ high street bargains). How one shops is a reflection of their identity, lifestyle, and mindset. Perhaps, some of us can’t comprehend that modesty is not limited to appearance, but how we are, who we are and how we treat everyone and everything around us.




0
Share
I’ve started blogging at the age of 21 in 2010, utilising blogger.com as a platform to showcase my creativity. The intentions were to merely show what I love, what relates to my lifestyle as a muslim woman and how I dress. There wasn’t a masterplan behind it, I didn’t think much of it. I was in my second year of university doing my bachelors degree.
Somehow, two years later, it became bigger than I have anticipated, took a direction that seemed accidental and coincidental rather than planned. I kept going with it, as I was exploring possibilities of what I would like to do career wise. I enjoyed doing editorials, I had a thrill of meeting new people, I have discovered new communities and I made new friends. It was all exciting…until it wasn’t.
Up until 2014, I’ve been consistent, I decided to create a self-named label and focus more on that. I’m sure we’ve all been at a place where we thought we had a passion for something. That was my place then, I thought I loved designing, creating and selling beautifully hand crafted scarves. I put all my love and time to it, I’ve developed my skills and learned new valuable lessons. I’ve discovered a different side to fashion and that drew me into doing my masters in strategic fashion marketing. I won’t go over this again and again and again, you can see a summary of my academic, work and career progress all on this website.
This post is a mark of my new direction that I hope you will join me on. Exploring endless possibilities with full purpose. I am not a blogger, not an influencer, not a social media phenomena or someones who’s intending to head towards those directions. I am writer, an editor and I am simply here to share my voice and voices similar to mine (or not). I am here to celebrate what it’s like being a woman. Women of Islam, of colour, of race, of culture, of age, of size and of all kind of experiences.
Words | Zinah Nur Sharif
Photography | Jihan Nur Sharif


0
Share
Newer Posts Older Posts Home

Keep in Touch

  • Instagram
  • Facebook
  • LinkedIn

Blog Archive

  • ►  2021 (3)
    • ►  March (2)
    • ►  February (1)
  • ►  2020 (10)
    • ►  November (1)
    • ►  October (4)
    • ►  August (1)
    • ►  July (1)
    • ►  April (2)
    • ►  March (1)
  • ▼  2019 (16)
    • ▼  August (1)
      • AMALIAH PODCAST
    • ►  July (1)
      • PARIS IS ALWAYS A GOOD IDEA
    • ►  June (1)
      • MINI TRAVEL SERIES
    • ►  April (2)
      • Asos selling 'modest' clothes
      • NATIONAL PRESS AWARD NOMINATION
    • ►  March (2)
      • HOW TO DRESS FOR BETWEEN SEASON
      • How To Manage Time & Style
    • ►  February (4)
      • MODEST ELEGANCE
      • Symbolism of the Handbag
      • Dior: Designer of Dreams at the V&A
      • Lost Times
    • ►  January (5)
      • Conscious Consumption: I Shop, Therefore I Am
      • Different Direction
  • ►  2018 (3)
    • ►  December (3)
  • ►  2017 (2)
    • ►  May (1)
    • ►  February (1)
  • ►  2016 (6)
    • ►  November (2)
    • ►  October (1)
    • ►  September (2)
    • ►  May (1)
  • ►  2015 (15)
    • ►  November (1)
    • ►  September (3)
    • ►  May (4)
    • ►  April (5)
    • ►  January (2)
  • ►  2014 (24)
    • ►  December (2)
    • ►  November (1)
    • ►  October (9)
    • ►  September (9)
    • ►  August (3)
  • ►  2013 (57)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (3)
    • ►  August (4)
    • ►  July (8)
    • ►  June (9)
    • ►  April (4)
    • ►  March (1)
    • ►  February (8)
    • ►  January (8)
  • ►  2012 (158)
    • ►  December (15)
    • ►  November (11)
    • ►  October (15)
    • ►  September (13)
    • ►  August (14)
    • ►  July (13)
    • ►  June (14)
    • ►  May (13)
    • ►  April (13)
    • ►  March (14)
    • ►  February (9)
    • ►  January (14)
  • ►  2011 (134)
    • ►  December (15)
    • ►  November (15)
    • ►  October (13)
    • ►  September (2)
    • ►  August (8)
    • ►  July (8)
    • ►  June (12)
    • ►  May (10)
    • ►  April (12)
    • ►  March (13)
    • ►  February (13)
    • ►  January (13)
  • ►  2010 (82)
    • ►  December (6)
    • ►  November (17)
    • ►  October (12)
    • ►  September (16)
    • ►  August (23)
    • ►  July (8)
Instagram Facebook LinkedIN Pinterest
Copyright © 2015 ZINAH

Created By ThemeXpose