ZINAH

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I'm so particular when it comes to materials, with the products I make and even the clothes I buy.
It's so important for me to feel a 'nice' material on my skin. I'm not a fan of synthetics and quiet frankly they should NEVER be overpriced. £60+ for a synthetic maxi skirt? No thank you. We all know how much polyester costs, right? Let's not forget to include production, location and labour. That all makes up the price of a product. 

One thing I believe that makes my brand stand out (besides having a strong sense of brand image) is the use of fine and natural materials. All the scarves I make are from natural fibres from silk all the way to wool. 


I always had this unnatural obsession with silk from my early teenage years. I love how the fibre can be transformed into any fabric, from shiny satin to matte twill; it all simply depends on the weaving technique. 

As much as I love silk, I'm no connoisseur, but I am developing my knowledge of natural fibres and fabrics. I do select each fabric myself, and as challenging as the process may be, the end result is always so rewarding. With the many options of materials these days, it's important for the fabrics I select to reflect the designs I make. 

Natural fabrics are also luxurious and for a luxury scarf brand, how important do you think that is? If I would have to use synthetic materials, then perhaps for the young aspiring clients who would like scarves at entry price level? Something I'm thinking about most definitely. 


All the materials are hand selected and purchased in London. Everything is also made in London, nowhere else, as I believe that the authenticity of a product is very important to my brand. 
I also believe that clients should know where their products are made and come from. 

Natural fabrics are naturally expensive, they are harder to manufacture and the process is longer than synthetic fabrics. So the prices of each scarf is obviously reflective of the material cost, the location of the sources (everything is made in London and London is one of the most expensive cities in the world), not to mention they are all hand made with love and care. I'm obviously pricing it all ethical, authentic and genuine, nothing is left to randomness or coincidence. 


I hope you now have a better understanding of the materials I use, why I use them and the pricing of them. I will talk further about the materials and crystal choices. 



(Photography by Zinah, Ty Faruki & Zak)

Love and Peace


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It's such a magnificent city, almost indescribable. The only way to get to know London would be to fully live in the city. Not as a tourist, or a business trip or even a weekend getaway. Few days in London is never enough to give this huge city any justice of what it truly could be to one. 

"London is whatever you want it to be" - Christopher Winn
This quote perfectly sums up what London is. If you want it to be beautiful, peaceful and organic; all you have to do is find the right places and people within London. When the big city becomes overwhelming, there are villages where you can rest your head for few hours. There are endless possibilities. Open to all kind of people, communities, races and religions. 


I am very fortunate to be living in London for over 10 years and to call it my home. What better place to start up a brand than London? The land of opportunities and dreams, a place where no dream is too little or too big. I'm so very glad and grateful to have had the opportunity to base my brand in London and in Britain. As a British fashion house, I yearn to express the British culture and diversity as a wealth and a source of inspiration, particularly London. The city is so full of inspiration and wonder.


Perhaps it came to your attention that the scarves I've designed and made are named after London locations. Do they have any significant you wonder? Yes they do.

Each signature scarf is named after significant locations; both to London and myself. Five signature scarves, five locations; Queensway, King’s Cross, Hampstead, Kensington and Victoria. Three of the locations are where I used to reside (now based in Hampstead), Victoria being my first ever work location, being only 17 and discovering such a magnificent city, while Queensway was both a work and leisure area for me. 

Of course fate has it that all these locations are connected to royalty and perfectly fit the brand name and image; the logo being a Z with a crown, to reflect my nickname ‘Zinah the warrior princess’ and to symbolise luxury in the products I offer. 


Here's an insider info: every season, a signature scarf will be the main piece of the season and four other scarves are designed around that scarf and named after roads within that location. For Autumn/Winter 14, Hampstead was the signature piece and the other four scarves were Golden Yard, Willow Road, Keat’s Grove and Fitzjohn’s Avenue all road names within the Hampstead area.

For Spring/Summer 15 the main scarf is Queensway and the other four are called after roads within the Queensway area: Princess Court, Palace Avenue, Bayswater Road and Caroline Place. 


I could forever and a day talk about London, the things I absolutely love and adore about it and the things that get on my last nerves! The ups and downs, the beautiful and ugly and so much more. Perhaps I can start video series about London? Perhaps I'm just over my head!

I highly recommend this city to anyone, to explore on their own and make it their own. 
I won't go into details on this post, as it may just end up being the longest blog post I've ever done.

I have, however, previously written about London during my time as a columnist for Aquila Style. 
You can read part one and two: here and here. 



(Photography by Zinah)

Love and Peace

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For Marie Claire April 2015 print issue (now also on the website) 
Blending fashion, faith and feminism in empowering new ways, meet the women redefining their religions for a new generation
Abstract: Religion is in rapid decline among young people, with only 25 per cent of 16-24-year-olds in Britain saying they believe in God. But millennials of different faiths are galvanising the need for cultural innovation, to ensure their religions remain relevant in an ever-changing world by redefining their religions. There are pop-up kosher restaurants like London’s Kosher Roast, and the ‘Mipsterz’ movement – ‘hipster Muslims’ using make-up and accessories to challenge the view that the hijab is a symbol of oppression. Elsewhere, style blogs including Hijab Style, Muslimah Beauty, Church Girl Chic and Jewish blog Fabologie offer tips on how to conform to modesty with style – and they are attracting thousands of hits every week. 
As extremist interpretations of religion continue to shock the world in increasingly horrific ways, young women are refusing to allow their faith to be tainted. Instead, they’re celebrating its place in modern life. Reina Lewis, Professor of Cultural Studies at London College of Fashion and author of the forthcoming Muslim Fashion: Contemporary Style Cultures, says, ‘It’s a phenomenon that stems from young women who’ve grown up with consumer culture and the freedom to express their identity through it. And why shouldn’t that expression reflect their faith, too?’ Social media, she argues, has played a huge role. ‘It allows women around the world to share ideas, influence one another and, ultimately, shape the future of their faith.’ Meet three game-changers doing just that. 
‘I’m happy with my interpretation of my faith. I get hundreds of emails asking for advice’

Zinah Nur Sharif (above), 24, blogs at zinahns.blogspot.co.uk
‘A girl can never own too many headscarves. I have at least 20 and I use the colour and texture of the fabric as a starting point for my make-up each day. I keep my foundation and eye make-up subtle, with a bright lip. It’s about complementing the hijab, not distracting from it. 
Women have been waiting years for stylish scarves. Not many high-street ones are appropriate for the head, as they’re often too loudly patterned or made from synthetic fabric, so
I decided to design my own range. They’re plain, but in gorgeous colours and textures, and all natural fabrics, like cotton and silk. For winter, I use velvet and wool. 
There are too few Muslim women in the public eye. Growing up, I rarely saw hijabs on TV, and didn’t have successful, stylish-but-modest women to look up to. Things are changing now. The blogging world is an exciting place to be. I wish blogs like mine had existed when I was a teenager. They’re a place to talk about fashion and make-up, and explore female identity. Many Muslim women are encouraged into academia or to study law, but I studied fashion and graphic design because I wanted to follow my own path. 
Social media has brought back that sense of community. I’m active on Twitter, Instagram and Facebook, so I can connect with young Muslim women as far away as Southeast Asia, New Zealand and America. It feels like a global movement that wasn’t possible until recently. We now have a platform to discuss and share positive ideas about our faith and interests.
Nobody’s forcing me to wear the hijab. I choose to because it’s an outward symbol of my commitment to my faith, and in the Koran, God states that women and men should dress modestly. Make-up and Islam are totally compatible. Some Muslims might disagree, because we’re not supposed to alter ourselves, but make-up is temporary – it washes off. I wear it for myself, and I find that empowering. 
There will always be criticism. People have said to me, ‘If you’re so modest, maybe you shouldn’t be posting photos of yourself online.’ But I’m happy with my interpretation of my faith, and I get hundreds of emails from girls asking for hijab-styling advice. 
Nothing in the Koran states that women are second-class citizens. The Prophet’s first wife Khadija was a successful entrepreneur, so in Islamic countries where women are suppressed, it’s because of cultural rather than religious reasons. With extremism rising, it’s more important than ever for me to show that I’m an independent, successful woman, as well as a good Muslim.’
Follow Zinah @zinahns


(Printed Version)

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Designed and printed my portfolio to apply for a Masters degree at University of the Arts London. 



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Let’s start with introducing my brand…properly!

Some of you may know by now that I have officially launched my luxury scarves fashion label ZINAH in November 2014 with the first Autumn/Winter 2014 collection titled London Expedition.

I haven’t been much talking or writing about the brand, mainly due to the reason of allowing people to get to know the brand visually and build their own understanding. I mean, where’s the mystery of giving it all away from the get go? 


It’s a self-named fashion brand, not a sick joke to call it after the arabic word ‘zina’ aka adultery. My name is Zinah, it has been always spelled that way and I’m not planning to change it’s spelling for a mere confusion of a coincidental transliteration of the word ‘zina’ (adultery) in the roman alphabet. I’m not going to go into details about this as it’s silly and self-explanatory. 

I would just like to point out that ‘Zinah’ pronounced “Zena” means beautiful ornaments in arabic, which carries a pleasant connotation. 


Growing up, my nickname has been ‘Xena the worrier princess’ from the infamous show from New Zealand. Naturally, I designed the brand’s logo around my name & nickname, with the capital Z and the crown above it. Plus, what more is luxurious than royalty? No, no I’m not a real princess, just the nickname ha!

Below is an illustration, breaking down the meaning of the logo, the connotations of the colour choices (white & gold) and just a better understanding of the logo overall. 



I’m sure some of you have wondered of why I started this label (I hope at least one person wondered?) Here is a diplomatic explanation of why I started this brand, without the dreamy aspect of always wanting to run my own fashion label. 

My interest in the amalgamation of fashion and modesty, combined with my fascination of natural fabrics, particularly silk has led me into specialising in handcrafted scarves. Respecting tradition of haute couture, all of the brand’s products are gently handmade in London. The brand only uses finest and most genuine materials with sincerity to reach true luxury. Swarovski Elements are the only embellishments used for designing some of the most beautiful pieces.
As a British fashion house, I yearn to express the British culture and diversity as a wealth and a source of inspiration.The British fashion house characterises femininity in its pure form celebrating the true beauty of women. The brand uses creativity as a universal language to inspire women to express their style identity. As the creative director of the brand I intend the brand to endeavour authenticity and creatively express elegance through the creation of both innovative and refined scarves.

Being fairly new in such a large industry, it’s vital for my brand to remain authentic in products, offering a one to one service to individual clients, nurturing the origins and home of the brand and to remain innovative. I believe this is what makes ZINAH somewhat unique, not to mention the affluent visual communications that come with it all. 

I know have a small but oh so lovely team working with me and as much as I love working with them, I still like to keep my brand personal to me and run it myself rather than have others do my posts, editing or anything that I’m very fussy & OCD about. I love you girls; Jihan, Nilofar & Sarah. 

Throughout the following weeks, I will talk in further details about the brand, the scarves, the collections and all behind the scenes that are so exciting to me (and hopefully to you too!). So stay tuned on my social medial pages on Instagram, Facebook & Twitter all @zinahns. 

(Photography by Zinah & Muna Ally)

Love and Peace


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I had had the pleasure to be photographed by Langston Hues for his Modest Street Fashion book (also included on the website and cover photo of the facebook page). I never managed to get a hard copy, just saw the first print edition. 





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